1、电影艺术的基础在于剪辑。
Film art is based on editing[文].
2、我留下脚印[章]，让后人来追寻[来]。
I left footpri[自]nts for posteri[文]ty to pursue.[字]
3、我对情节的[控]发展、事件的串[文]联并没有兴趣，[章]我认为我的电影[来]一部比一部不需[自]要情节。
I am not interes[文]ted in the develop[字]ment of plots and the series of events.[控] I think my movies are more than one without[文] plots.
4、我们永远都[章]无法预知一部电[来]影的结果。每部[自]片子都有一道窄[文]门，我们只能凭[字]着自己的判断力[控]决定是否应该跨[文]进去。
We can never predict[章] the outcome[来] of a movie. Each film has a narrow door. We can only decide whether[自] we should go in with our own judgeme[文]nt.
5、我现在已经[字]老了，人越老想[控]得越深，水面上[文]的事情我已经抓[章]不住了，我在水[来]底思想。
I am old now. The older people think, the deeper they think. I can't grasp the things on the water. I think under the water.
6、我的人生经[自]验告诉我，非正[文]常的阶级关系，[字]没有同情心的人[控]与人之间的关系[文]就是现实。
My life experie[章]nce tells me that abnorma[来]l class relatio[自]ns and unsympa[文]thetic relatio[字]nships between[控] people are reality[文].
7、每次表演一[章]个角色时，演员[来]都必须生活在这[自]一角色之中。
Every time a charact[文]er is played,[字] the actor must live in this role.
8、影戏假如能[控]用来描述民间的[文]痛苦，至少可以[章]促进社会的自警[来]，让社会自己想[自]一想，应该如何[文]的改进自己。
Shadow play, if it can be used to describ[字]e the sufferi[控]ng of the people,[文] can at least promote[章] the self-po[来]licing of the society[自] and let the society[文] think about how to improve[字] itself.[控]
9、我倒不是怕[文]死，只是死到临[章]头，我不愿在场[来]。
I'm not afraid of death. I just want to be here.
10、为了保卫[自]韩国电影，我们[文]甚至可以去死！[字]
In order to defend Korean movies,[控] we can even die.
11、让一个人[文]置身于变幻无穷[章]的环境中，让他[来]与数不尽或远或[自]近的人物错身而[文]过，让他与整个[字]世界发生关系：[控]这就是电影的意[文]义。
Let a person be in a changea[章]ble environ[来]ment, let him miss countle[自]ss or far or near people,[文] let him have a relatio[字]nship with the whole world: this is the meaning[控] of the film.
12、人到十三[文]岁，自以为对这[章]个世界已相当重[来]要，而世界才刚[自]刚准备原谅你的[文]幼稚。
When you are thirtee[字]n years old, you think you are very importa[控]nt to the world, and the world is just ready to forgive[文] your childis[章]hness.
13、有一种电[来]影要求很长时间[自]的积淀，有一种[文]需要闪电般的灵[字]感。
There is a kind of film that require[控]s a long time to accumul[文]ate, and there is a need for lightni[章]ng inspira[来]tion.
14、好莱坞由[自]恐惧与嗜财支配[文]。但那不会支配[字]我，因为我无所[控]畏惧，不贪恋钱[文]财。
Hollywo[章]od is dominat[来]ed by fear and financi[自]al addicti[文]on. But that will not dominat[字]e me, because[控] I am fearles[文]s and not greedy for money.
15、我是一个[章]独立制片导演！[来]人们总说我的电[自]影像好莱坞电影[文]，或者就是好莱[字]坞电影。可是好[控]莱坞要抄袭我，[文]我有什么办法。[章]
I am an indepen[来]dent produce[自]r directo[文]r. People always say that my movies are like Hollywo[字]od movies,[控] or Hollywo[文]od movies.[章] But Hollywo[来]od has to plagiar[自]ize me. What can I do?
16、梦想要根[文]植于现实。
Dreams should be rooted in reality[字].
17、一个编剧[控]导演人不仅仅是[文]随便把一个故事[章]搬上胶片就算完[来]事，而他至少应[自]该是一个作家，[文]一个有独特的风[字]格、正确的认识[控]而为大众所有的[文]作家。
A screenw[章]riter and directo[来]r is not only a casual film of a story, but at least he should be a writer,[自] a writer with a unique style, correct[文] underst[字]anding and all for the public.[控]
18、电影是戏[文]，不能把它拍成[章]偶发的事件。
A movie is a play and can not be made into an acciden[来]tal event.
19、最好的电[自]影是拍给聋者和[文]哑者看的。人类[字]喋喋不休，话语[控]泛滥，都快淹死[文]在其中了。只有[章]看芭蕾舞，我们[来]才能发现纯粹的[自]美和纯粹的姿态[文]，而这正是我的[字]电影努力要去表[控]现的。
The best movie is for the deaf and the dumb. The human chatter[文] and the flood of words are drownin[章]g. Only by watchin[来]g ballet can we discove[自]r pure beauty and pure posture[文], which is what my film is trying to show.
20、我更喜欢[字]让观众在影院里[控]睡着的电影，我[文]觉得这样的电影[章]体贴得让你能好[来]好打个盹，当你[自]离开影院的时候[文]也并无困扰。也[字]曾有电影让我在[控]影院里睡着了，[文]但就是同一部片[章]子又让我彻夜难[来]眠，思考它直到[自]天亮，甚至想上[文]几个星期。这是[字]我喜欢的电影。[控]
I prefer movies that let audienc[文]es fall asleep in the cinema.[章] I think these movies are so thought[来]ful that you can take a good nap, and when you leave the cinema,[自] they don't bother you. There were movies that made me fall asleep in the cinema,[文] but the same movie kept me awake all night, thinkin[字]g about it until dawn, even for a few weeks. This is my favorit[控]e movie.
21、演戏的真[文]谛就是把人生当[章]成一场实验，在[来]一次次的幕起幕[自]落之间探究人生[文]的千奇百怪和悲[字]欢离合。
The essence[控] of acting is to treat life as an experim[文]ent, explori[章]ng the strange[来] and joyful life between[自] the curtain[文] and the curtain[字].
22、当幻想转[控]向爱情时，直觉[文]却并不总是跟随[章]。
When fantasy[来] turns to love, intuiti[自]on does not always follow.[文]
23、别给我挤[字]眉弄眼，表演没[控]有那么复杂。
Don't give me a wink. The perform[文]ance is not so complic[章]ated.
24、生活的全[来]部，它行动的整[自]体，乃是一部自[文]然、生动的电影[字]。
The whole of life, the whole of its action,[控] is a natural[文] and vivid film.
25、人老了之[章]后的现象之一就[来]是，童年的回忆[自]会越来越清晰地[文]浮现出来，而壮[字]年时期的种种大[控]事却反而模糊，[文]以至于消失。
One of the phenome[章]na of old age is that memorie[来]s of childho[自]od will appear more and more clearly[文], while the events of adultho[字]od are blurred[控] and disappe[文]ar.
26、我们并不[章]处处袒露我们内[来]心的真实想法，[自]我们只表露我们[文]想要别人信以为[字]真的东西。
We don't reveal our true thought[控]s everywh[文]ere. We only reveal what we want to be believe[章]d to be true.
27、要更好地[来]理解一部影片的[自]倾向如何，最好[文]先理解该影片是[字]如何表现其倾向[控]的。
To better underst[文]and the tendenc[章]y of a film, it is better to underst[来]and how the film express[自]es its tendenc[文]y first.
28、我确实觉[字]得美好的，肯定[控]不会长久。
I do not think it will last forever[文].
29、我曾反复[章]说过，我作为一[来]个电影人，拍了[自]一部电影的话，[文]观众就应当从这[字]一部电影中，看[控]到100部他们[文]自己的电影，每[章]一名观众都可以[来]看到他自己的电[自]影，这就是我所[文]力争做到的。
I have repeate[字]dly said that if I make a film as a filmmak[控]er, the audienc[文]e should see 100 of their own movies from this film, and every audienc[章]e can see his own movies,[来] which is what I strive to achieve[自].
30、**决不[文]能爆炸，**不[字]爆炸，观众就老[控]在惴惴不安。
The bomb must not explode[文], and the bomb will not explode[章], and the audienc[来]e will always be uneasy.[自]
31、我想用我[文]的电影盖一栋房[字]子。有些做成地[控]窖，有些做墙壁[文]，其他则做窗户[章]。然而，我希望[来]到最后它能成一[自]栋房子。
I want to build a house with my movie. Some make cellars[文], others make walls, others make windows[字]. However[控], I hope that in the end it will become a house.
32、我就是我[文]。如果必须以头[章]撞墙来真实待己[来]，那么我愿意。[自]
I am me. If I have to head against[文] the wall to be true to myself,[字] I will.
33、在我身上[控]有所有中国导演[文]的缺点，比如说[章]戏剧，我很爱戏[来]剧，我也是看评[自]书看章回小说长[文]大的，但我知道[字]那是一个缺陷，[控]我们把现实简单[文]化了、娱乐化了[章]、传奇化了。
I have all the shortco[来]mings of Chinese[自] directo[文]rs, such as dramati[字]c, I love dramati[控]c, I grew up reading[文] reviews[章] and chapter[来]s of fiction[自], but I know that it is a defect,[文] we simplif[字]y the reality[控], enterta[文]inment,[章] legenda[来]ry.
34、如果说中[自]国会好，国产片[文]也会好。
If China is good, the homemad[字]e films will be good.
35、我的电影[控]从来无意写实，[文]它们是镜子，是[章]现实的片断，几[来]乎跟梦一样。
My films are never meant to be realist[自]ic. They are mirrors[文], fragmen[字]ts of reality[控], almost like dreams.[文]
36、演员也同[章]样是人，与别人[来]并无差别。作家[自]、画家或音乐家[文]可以躲到角落里[字]去舔净他的伤口[控]，但演员却要站[文]在大庭广众面前[章]忍受这种伤痛。[来]
Actors are also human beings,[自] no differe[文]nce from others.[字] Writers[控], painter[文]s or musicia[章]ns can hide in corners[来] to lick their wounds,[自] but actors have to stand in front of the public to endure the pain.
37、不管我采[文]用了什么题材，[字]其实讲的都是宗[控]教题材。只不过[文]他们的救赎发生[章]在大街上，而不[来]是教堂里。
No matter what subject[自] I have adopted[文], I am talking[字] about religio[控]us themes.[文] But their salvati[章]on happene[来]d on the street,[自] not in the church.[文]
38、我一直同[字]步记录国民演变[控]的过程，我生活[文]在一个变革的时[章]代，这种变革要[来]求一个导演很敏[自]感很同步地来判[文]断。我相信我的[字]作品会成为中国[控]标志的一组建筑[文]物。
I have been keeping[章] a synchro[来]nized record of the process[自] of nationa[文]l evoluti[字]on, and I live in an era of change,[控] which require[文]s a directo[章]r to be sensiti[来]ve and synchro[自]nized to judge. I believe[文] my work will become a landmar[字]k buildin[控]g in China.
39、真假混合[文]时，真突显出假[章]，假却妨碍我们[来]去相信真。一个[自]演员，在一艘被[文]真的风雨拍打着[字]的真船的甲板上[控]，假装害怕沉船[文]，我们既不会相[章]信那演员，也不[来]相信那艘船和那[自]场风雨。
When true and false, it is obvious[文] that false and false prevent[字] us from believi[控]ng in truth. An actor, on the deck of a real ship hit by a real storm, pretend[文]s to be afraid of sinking[章]. We will not believe[来] the actor, nor the ship and the storm.
40、蠢比智慧[自]更无限迷人、更[文]无限深奥。智慧[字]有限度，而愚蠢[控]则没有。
Stupidi[文]ty is infinit[章]ely more charmin[来]g and infinit[自]ely profoun[文]d than wisdom.[字] Wisdom is finite,[控] but stupidi[文]ty is not.
41、梦想始于[章]剧本，而终结于[来]电影。
Dreams begin with scripts and end in films.
